What decision has Baptista Minola made concerning the marriages of his daughters?
Baptista Minola Baptista is determined that both his daughters make a suitable marriage with a young man, but he sees that it will be difficult to find a man to marry the fiery Kate. As a result, Baptista decrees that he will not allow anyone to court Bianca until Kate has a suitor.
Who is Baptista Minola and what problem is he dealing with?
Baptista is the wheeling and dealing father in search of suitable husbands for his daughters, Bianca and Katherine. Baptista treats marriage negotiations like a business – his girls go to the highest bidders and he’s not above taking a bribe or two from any suitor looking to get on his good side.
Who is Baptista in The Taming of the Shrew?
Baptista. Minola Baptista is one of the wealthiest men in Padua, and his daughters become the prey of many suitors due to the substantial dowries he can offer. He is good-natured, if a bit superficial. His absentmindedness increases when Kate shows her obstinate nature.
What kind of husband does Baptista want for Bianca?
This is because he wants to marry Katherine off quickly. Bianca has two suitors, one old and the other young. Baptista takes this as an advantage to see who has the greater dowery. In the quote, he states Lucentio [Tranio] as Bianca’s husband because he has the greater dowery.
Why does Baptista want his daughters to marry?
In the book, “The Taming of the Shrew”, Baptista has a power over both of his daughters by forcing one to get married so that the guys would desire Bianca can have her.
Why does Baptista want Katherine to be married first?
Early in the play he declares no one should marry his much desired younger daughter until Katherine, who offends most men in the play, is married first. From the beginning Baptista indicates he is more interested in the dowry of both his daughters, and ultimately views them as property to be bought and sold.
Is Katherine really tamed?
Katherine Minola was never tamed in the play, but she was brainwashed and manipulated to act in a manner that was socially acceptable in the 16th century.